That is a question I get a lot. Where do the idea for my books come from? Read More
Honestly, it can get convoluted. Some… I just don’t know. Planning Vengeance/Dig Two Graves just sort of happened. I had a plan, and it was COMPLETELY different than the story that emerged. You might think it is crazy, but the characters moved me to tell a story (which also spilled into Who, What, When, Why?) and I was along for the ride. I used to joke that I had to write fast because I wanted to know how it would turn out.
You Don’t Know Jack was a little different. I had the basis of the idea. I just had to figure out how Jack got into trouble… at the genesis of the idea, he was already in a bad place. And the end of the book… was actually in another book. But I felt it fit more with the theme of YDKJ.
Lies and Omissions was a little different. I was still “pantsing”… writing by the seat of my pants… but I had a scene that I really wanted to write. The first thing I wrote for that book was the chapter The Heather Trap. The rest of the book flowed from that chapter, although not the way I expected. I had another villain, but I just couldn’t get mad at her. The funny thing with that one, though, is that bits and pieces of a lot of the characters are people I know. They have been sliced and diced and hidden, but some friends will recognize episodes from the story.
Other stories have beginnings that are similar to that, but different. One of the ones I am working on right now, tentatively called At Arm’s Length (a title I actually like) started with someone I used to know. Everything that makes the story happen is an outlandish “what if…” but it started with that one person. Other stories have that same kernel of reality. In some cases, the kernel is smaller, others are bigger.
Most of the books, though, have a scene that resembles reality. The conversations between my father and me before he died were the basis for those between Nick Tower and his father in Lies and Omissions. They were really hard to write, even twenty-four years removed from his passing. Some of the events in volving Ed Dixon in Unknown Caller are rooted (loosely) on my grandfather and his battle with Alzheimer’s Disease and the people that were able to sooth him.
I have been lucky to know a lot of interesting and cool people, and to have vivid memories of many of them. Some of the stories, both things from novels and short stories I have on places like Vocal, are like the highlights reel from those folks… but obscured and run through a filter. Some of those highlights are embarrassing… or could be… so I try to obscure the party to whom damage might occur.
In other instances, there are allusions to things which are not real. The one that springs to mind is that a friend, upon beta reading Lies and Omissions, commented that she didn’t know I had that type of relationship with another character from the book… yes, she easily recognized a character that wasn’t her (and she REALLY recognized the part of a character that was her). I hadn’t really known the person in question all that well. But it was easy to infer I might have known her more than they thought.
So, the easy answer is that they come from memories twisted out of context, expanded until they are unrecognizable, and then filtered to remove the reality. Mostly.
If you want to read any of these stories, check out the shorter stories on Vocal, or my novels on Amazon.