It’s not even October yet, but it will be NaNoWriMo before you know it. November is National Novel Writing Month. tens of thousands of would-be-authors will try to write a 50,000 word book in one month. Many will succeed, many more will fail. I’m hoping that if you want to give it a shot, you will be able to see it through and check that item off your bucket list. Read More
Previously, I have not managed to participate in NaNoWriMo. My timing has been a little off. Each time I had just completed a book going into November, or had one that was mostly written. This year, I’m going to try to do coordinate myself with the event enough to write a book that month. For me, the goal is about 100,000 words, but that is because of the genre I write in and my desire to do a little cutting in the editing process.
So, in the last installment, we talked about creating a story arc from your idea, and the primary elements you needed to have. Here is a link if you haven’t read it yet. This time, we are going to talk about your characters, as well as organizing other things in your story.
There are probably as many ways to organize story elements as there are authors. Some go old school and pin items to the wall in front of their workspace. Others may use post-it notes. I write in the living room of my house, so those don’t work for me. I also have intricate timelines in some of my books… in fact, some of my timelines intersect in other books. So I have to track those as well.
The first thing I do as I begin to write is create a “notebook” in Evernote. There are other note-taking programs or apps that likely work as well… maybe even better… but this is what I use. Then, I begin populating the notebook with the details that I need to track.
Characters… As I create a character that will appear more than a time or two, I try to build a dossier for them. I grab a picture from the web… it’s just for me… so that I can look at them. I describe them… physical characteristics, as well as personality. Even if it will change through the story, I need a baseline. I also add significant events… maybe a marriage or divorce, loss of parents. Often, I will create a backstory for them. At a glance in their dossier, I can refresh myself on their character so that I don’t unwittingly change them.
Places… I do the same thing. For a house, I have been known to grab a Pintrest pics of an interesting house, business or other location and build up from there. I will add descriptions as needed as well. A location can be just as important as a character in that regard.
Because I’m me, I also add cars to some of my characters. If they drive something unique or special, I may include a file just for the vehicle.
Timelines can be pretty loose or very specific.
In the Dixon-Prince series, I use dates. So, I will check the calendars for a specific year, and use the date. I track those dates in a master Excel Spreadsheet for the series. I enter the date, and what happened then. Sometimes it’s backdating, such as in a character’s backstory. I include birthdays and anniversaries in those dates as well. I keep them organized by date for future reference. That is in addition to having special dates noted in character dossiers.
In Triple Cross, I included day and month in the book, but not year. I did track the year, but it was as a note in the margin for my purposes. That helped when I was “going back twelve years” and had to keep the timeline straight. Kids age, and since there were kids being born and growing up, I couldn’t just wing it on the times. The character dossiers have birthdays and other similar information, just like the Dixon-Prince books, they just aren’t completely identified.
Lies and Omissions is a little more open on dates. We have a start time, but aside from me identifying it as “the early 1980s” in the preface, there are no specific dates given. Oddly, I found that harder than either of the other ways to write. It gave me the most freedom to break up into chapters, but I felt the need to meticulously track the dates. I started out not doing that, but quickly saw the error of my ways. Again, character dossiers had important dates, and there were margin notes for when each action took place.
Honestly, each system presents challenges and opportunities. For the Dixon-Prince books in the future, I will continue with the same regimen, but for other books I likely won’t. It is easier, but limits the ability to break the action up into chapters. For example, in Unknown Caller (Dixon Prince 6) I had a flashback in the middle of a day. Luckily, it was an long and action-packed day, so I was able to easily cover three chapters (early in the day, flashback, late in the day). But that is seldom the case.
And the completely wide open arrangement I used in Lies and Omissions was hardest to write, and more importantly, to track accurately. I didn’t start with all of the dates recorded, so I had to build that out after writing the first draft. And I figured out that I had a lot of impossible timelines that needed to be cleaned up. Perhaps nobody would have figured it out, but I think it would have shown through as sloppy.
So… organize important events, people and places in your writing. Utilize some sort of system, whether it is a spreadsheet or a note system or post-its on the wall. Keep them nearby and refer to them as needed.